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News ID: 154946
Publish Date : 21 October 2026 - 23:01

Khanom Valede Tops Iran Box Office as Weekly Revenue Drops 20%

TEHRAN -- Iran’s theatrical box office generated approximately 72 billion tomans ($271,700) over the past week, as attendance reached 555,393 across 19,806 screenings, according to figures from the country’s Semfa ticketing and box-office reporting system. 
The total represents a decline of around 18 billion tomans ($67,900) from the previous week.
The latest figures, reported on Wednesday, coincide with the release of two new titles, Cafe Sultan and I’m Scared, as established releases continue to dominate the market.
Soheil Movaffagh’s comedy Khanom Valede remained the week’s leading title, earning 37.853 billion tomans, or approximately $142,800, from 283,040 tickets. 
The film, produced by Seyed Ebrahim Amerian, follows two indebted brothers whose financial troubles take an unexpected turn when they learn they are due to receive an inheritance. Reza Attaran and Abbas Jamshidifar lead the cast.
The film’s performance places it comfortably ahead of the competition, underlining the continuing importance of mainstream comedy to Iran’s theatrical market.
Husein Amiri-Domari’s Bidar (Killing Without Killing), which opened on October 14, ranked second, generating 12.893 billion tomans ($48,700) from 87,421 admissions. The drama features Muhammad-Reza Foroutan, Anahita Afshar, Shahab Husseini, Nasser Hashemi and Behnaz Jafari.
Animated feature Safineh-ye Nejat (Savior Ship), directed by Hadi Muhammadian and produced by Muhammad-Amin Hamadani, placed third with 5.102 billion tomans ($19,300) from 54,204 tickets. The fantasy follows a girl named Darya waiting for a legendary hero to save her planet, while Hani, a boy dreaming of becoming a hero, accidentally finds himself stranded in space.
Yousef Hatamikia’s action drama Escort (Guardian) ranked fourth, collecting 3.9 billion tomans ($14,700) from 27,468 admissions. The film follows a conscript who enters the dangerous world of illegal fuel smugglers to save his friend. Amir Jadidi, Hoda Zeinolabedin, Afshin Hashemi and Reza Kianian star.
Kazem Daneshi’s The Death Bath (Zendeh-Shour) rounded out the top five, earning 3.325 billion tomans ($12,500) from 24,152 tickets. The drama centers on a prosecutor’s

 representative who travels to another city to oversee five executions, only to find that the first case sets off a much larger chain of events.
Cafe Sultan, directed by Mostafa Razzagh-Karimi and produced by Morteza Razzagh-Karimi, opened to 60 million tomans (about $226) from 418 tickets. The social drama stars Azita Hajian, Muhammad-Reza Sharifinia, Siavash Tahmoures and Sajjad Babayi. It follows a family attempting to withstand mounting economic and social pressures.
The film previously received international attention at the 44th Fajr Film Festival, where Hajian was recognized for her performance.
Meanwhile, I’m Scared, directed and written by Behnam Behzadi, earned 30 million tomans (approximately $113) from 191 admissions. Its cast includes Elnaz Shakerdoost, Pouria Rahimi-Sam, Amir Jafari, Setareh Pesyani and Mehran Ahmadi. The story follows a character caught between the desire to leave and the conviction that staying is no longer possible.
The limited opening figures for both films suggest a challenging entry into a market where established releases continue to attract the bulk of ticket sales.
Elsewhere in the weekly rankings, Soroush Sehhat’s The Pool earned 2.689 billion tomans ($10,100), while Hamid Nematollah’s The Idol collected 2.468 billion tomans ($9,300). Mehdi Shamuhammadi’s war drama Successor, about Iranian commander Hussein Amalaki, generated 1.648 billion tomans (about $6,200).
Family animation Bambolek 2 earned 1.139 billion tomans ($4,300), while several other titles remained below the billion-toman threshold. These included Hamed Muhammadi’s comedy Napoleon in the Apricot Garden, Amir-Abbas Rabiei’s Personal Clothes, and Javad Nourian’s children’s film Snow White.
 
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