TEHRAN – With the arrival of the second summer month of Mordad in Persian calendar, Tehran’s theater scene is buzzing with fresh energy and a vibrant wave of diverse performances across the city’s stages. From avant-garde experiments to heartfelt children’s shows, the new season promises something for every kind of theatergoer.
At the heart of this theatrical surge is the Tehran City Theater complex, unveiling three new productions this month. 
“Macbeth Nihilism,” directed by Nima Goodarzi, offers a contemporary and philosophical reimagining of Shakespeare’s tragedy, exploring deep existential crises on stage. 
Meanwhile, “Cafe Mac Adam,” based on the late Mahmoud Ostadmuhammad’s script and directed by Arman Shahbazi, presents intimate social narratives steeped in everyday human struggles, playing in the Shadow Hall. 
Also, “Kohteh,” written by Aqil Jamaati and directed by Hussein Asadi, is an experimental piece in the Charsoo Hall that delves into the complex relationship between humans and their environment.
For younger audiences, “Duck Road” is making waves at the Arasbaran Cultural Center. This lively, interactive children’s play by Farhad Esmaeili tells the story of a determined mother duck trying to guide her ducklings safely across a busy road. 
Part of the KANOON’s rotating theater program, the show blends education and entertainment with strong performances, continuing its successful run from the Puppet and Children’s Theater Center.
On the independent stage, “The Suicide Shop,” directed by Hussein Nasiri, will have two special performances at the Homa Manor. Adapted from the eponymous novel, this dark comedy, featuring a talented ensemble cast, is one of the standout productions of the 29th Tehran Province Theater Festival, blending sharp wit with poignant themes.
The month also marks the return of director Davood Bani-Ardalan with “The Dark Half of the Moon.” Having previously enjoyed successful runs, this intense psychological drama is coming back with a fresh cast, promising a profound theatrical experience for its audiences.
At the Blue Stage Theater, “The Last Years’ Scorpion,” written and directed by Amin Javadi, offers a gripping story of orphaned children trapped in a grim orphanage and their daring plan to escape. With a strong cast and precise direction, the play tackles social issues through a powerful narrative.
Mordad in Tehran is shaping up to be a hotbed of bold, diverse, and engaging theater—an essential season for anyone passionate about the performing arts. 
Whether you seek provocative modern works or enchanting shows for children, this vibrant lineup invites you to experience the pulse of contemporary Iranian theater like never before.