TEHRAN -- The 18th edition of the 
International Resistance Film Festival is currently underway here, drawing participation from Iranian and international artists.
In his remarks to the opening of the festival, head of the Organization for Mobilization of the Oppressed Gholamreza Soleimani emphasized the role of the festival as a platform for “global awakening” through resistance cinema.
He stressed that resistance cinema must continue to spread awareness and reflect the voice of the oppressed, calling for the establishment of educational institutions focused on film and theater to strengthen this cultural front.
Festival director Jalal Ghaffari-Qadir highlighted significant growth in the current edition, stating that the number of submitted works has tripled compared to the previous years.
He noted that this year’s festival began at Husseiniyeh Jamaran, with its symbolic red carpet laid at the Husseiniyeh of Imam Khomeini—a spiritual and revolutionary space that has inspired the oppressed worldwide.
Referring to remarks by Iran’s leader, Ghaffari-Qadir added that Iran can hold a unique position in the emerging global landscape by advancing the concept of resistance.
He stressed the importance of defining the relationship between resistance and cinema within this framework.
This year’s festival also marks the first time artificial intelligence has been formally incorporated into the event.
According to Ghaffari-Qadir, more than 5,000 works were officially registered through the festival portal, with around 400 of them submitted under the new AI-powered productions category.
He explained that this addition was introduced to recognize filmmakers who effectively integrate scientific innovation into cinematic storytelling.
The festival continues this week in the Iranian capital, with screenings, panels, and cultural programs showing themes of resistance from around the world.
On Wednesday, the festival officially announced its main jury panel, bringing together five renowned figures from Iran’s cinematic and cultural landscape.
According to IRNA, the jurors for this year’s event are Muhammad-Reza Sharafeddin, Homayoun Asadian, Mehdi Faraji, Zhaleh Sameti, and Rouhollah Sohrabi.
Sharafeddin is a seasoned film producer, special effects expert, and former general manager of the Revolutionary Cinema and Sacred Defense Association. His multifaceted contributions have played a vital role in shaping Iran’s sacred defense cinema.
Asadian, a prolific producer, screenwriter, and director, is a leading member of the Iranian Directors Association. His works are widely acclaimed within the country’s cinematic circles.
Faraji has an extensive background in both film and television production. As a cultural director and long-time executive at the Islamic Republic of Iran Broadcasting (IRIB), Faraji has had a lasting impact on Iranian media and broadcasting.
Sameti, a celebrated actress of stage, screen, and television, is also an esteemed acting teacher. She is considered a pillar of contemporary Iranian theatre.
Sohrabi is a producer, writer, and director, with additional roles as a university professor and cultural manager. His career includes leadership positions in the Cinema Organization and Sacred Defense Cinema Association.
Hosted at the Museum of the Islamic Revolution and Sacred Defense, the festival is backed by the Revolution and Sacred Defense Cinema Association and the Fath Cultural Institute.
Running until May 23, the event remains open to the public, showing films that reflect themes of resistance, bravery, and national identity.