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News ID: 153362
Publish Date : 05 September 2026 - 01:14

Sangak Bread Added to Iran’s National Intangible Heritage List

TEHRAN -- Iran has registered Sangak bread, one of the country’s most distinctive traditional breads, on its National Intangible Cultural Heritage List, recognizing a living tradition closely connected with Iranian history, indigenous knowledge, food culture and everyday life.
Alireza Izadi, director general of the National and World Heritage Registration Department at Iran’s Ministry of Cultural Heritage, Tourism and Handicrafts, said the Sangak dossier had undergone expert assessment before being approved by the National Council for Intangible Cultural Heritage.
Izadi described Sangak as one of Iran’s most authentic and widely rooted traditional breads, saying its inscription on the national list would help preserve an important part of the country’s historical memory, everyday culture and culinary identity. The tradition has been transmitted across generations and continues to play a role in Iranian social life.
The oldest known written reference to Sangak appears in Borhan-e Qate, a Persian dictionary compiled by Khalaf Tabrizi in 1062 AH. Under the entry “Sangak,” the work describes it as a type of bread baked on heated pebbles.
Oral traditions and historical references have attributed the origins of Sangak to the Sasanian period and, in some accounts, even to the pre-Islamic era. Some sources also recount that Arab soldiers were unfamiliar with the bread when they entered Ctesiphon, known in Persian as Mada’in.
Izadi said the evaluation of intangible cultural heritage considers historical evidence, written documentation, oral traditions, cultural continuity, associated knowledge and skills, and the role of a tradition in social life.
Archaeological evidence has also added to the historical record. At a ruined fortress in Varamin, remains reportedly identified as a Sangak bakery were found, including an intact oven and the distinctive pebbles used in baking. Alongside written and oral sources, such evidence points to a long continuity of knowledge involving specialized tools, materials, baking techniques and patterns of consumption.
A well-known account attributes the design of the traditional Sangak oven to Sheikh Baha’i, the prominent Safavid-era scholar and polymath. A 1947 calendar published by the Tehran Bakers’ Committee recounts that Shah Abbas asked Sheikh Baha’i to devise a method for providing bread for soldiers during journeys, with the design of the Sangak oven subsequently attributed to him.

 
Izadi said that regardless of the historical accuracy of the account, the continued use of the basic principles of the traditional oven in Sangak bakeries demonstrates the durability of the baking tradition.
Shater Davoud Roghani, a prominent baker from Rey, described Sangak in a 1977 book as the “best bread in Iran and perhaps the world,” citing its taste, digestibility and health qualities.
National registration is intended as the beginning of a broader effort to preserve and transmit Sangak-making knowledge. This includes safeguarding bakers’ expertise in dough preparation and baking, as well as traditional tools, equipment, customs and practices associated with its production.
The registration could also strengthen support for traditional bakeries and master bakers while encouraging documentation and revival of the knowledge associated with the bread.
Bread has a significance in Iranian culture extending beyond food, with longstanding connections to family life, livelihoods, hospitality and social customs. Sangak occupies a particular place within that tradition because of its distinctive baking method and enduring presence in Iranian daily life.
Iran also plans to pursue the eventual inscription of Sangak on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity, Izadi said. Completing the necessary documentation and research and presenting the tradition internationally will require cooperation among researchers, historians, bakers, heritage specialists and relevant institutions.
Izadi described Sangak as a bearer of Iranian history, knowledge, art and identity, saying its preservation would help transmit an important element of the country’s cultural memory to future generations.

 

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